Wednesday, 18 March 2015

The Success that was our Parkinsons Auction.

After weeks and months of planning and stressing, The charity auction was a HUGE success, we raised alot of money for Parkinsons Equip and had one of the most memorable nights of our degree for sure, Big personal thank you to everybody that was involved, so proud of you all. 














Thank you to Ray and his wife for these pictures.

Interview with Simon Wadsworth (Wraptious)

A while back I met Simon Wadsworth at Manchester print fair whilst he was working his stall, this stall turned out to be for Wraptious Art, his own company. Since then I have stayed in touch with Simon and learned all about his company, the following is an interview he has kindly done for me, but before you do, head over to wraptious.com if you havnt already. Incredible company that is definitely onthe rise.




Firstly, could you give a few words about yourself and just what Wraptious is.
Sure. I launched Wraptious just over a year ago, having previously worked in strategy for a large retailer. It was a fun and challenging job, but an office job nevertheless and I'd been wanting to do my own thing for a while. I launched Wraptious as a way of supporting emerging artists (Wraptees), giving them a platform to showcase their work, which we sell as a growing array of gifts and homewares.

 What inspired you to start up your own business in the art world?
It was quite random inspiration actually. I was doodling away on some post-it notes during a dull office meeting, and colleagues exclaimed my doodles would make great gift wrap! So for fun I thought I’d give it a go. However I soon realised that it’s not as easy as it sounds – support for startup artists in the UK is extremely limited. It’s inherently difficult for anyone creative to make a name for themselves – time, money, skill, opportunity, even confidence can all act as a barrier. There is a lot more talent than opportunity in this world! So what started out as a bit of fun, developed into a business plan for a new art platform – which ultimately led to me quitting my career and launching Wraptious.

Have you encountered any copyright problems along your way to this? 
Not with Wraptious yet, no. We follow all the usual procedures - copyrighting all work, and keeping a trail of the work's origins where possible. We also have a contractual agreement with all our artists, to protect them as much as us. However, we're fully aware of friends in the industry where this has been a big issue for - either exactly copying work, usually abroad in India or China, or copying the style - which is a much harder thing to control.


How does Wraptious pick and choose what artist/artwork makes it to your stands?
We're really flattered as we get many emails a week from budding awesome artists sharing their portfolios, and we would love to say yes to everyone. Unfortunately, until we provide drop-ship capability and a crowd-sourced web platform (2 years away - you heard it here first!), we can't accept everyone. Instead, we run competitions twice a year seeking new artists - everyone is invited to share 3 pieces of work which gets voted on by the public. A lot of fun and a lot fairer than us deciding! 

Do you have any regrets or anything you would change/do differently given the chance on your Wraptious journey so far?
Hindsight is a wonderful thing. Jack Dorsey, the CEO of Twitter once said that CEO should stand for Chief Editing Officer, as the hardest challenge for the founder is to edit down the 1000s of good ideas to the one or two ideas you want to focus on. In our early days - and we're still victims of this today - we have fingers in lots of pies as we test the waters to see what works best for us. Some of these involved a lot of wasted time, and we're a lot more focused now that we were when we launched!

 Who has been your biggest artistic inspiration in your own personal work? 
Man, that's a tough question. I remember back at school that the first artist I really admired and studied was Roy Lichtenstein. I found his work so fresh and confident, especially at the time he was creating it. In the last few years, I've become more focused on graphic design, so designers like Stagmeister, Paul Rand and Peter Saville have been big influences.

 And finally, what advice would you give to any aspiring artist/entrepreneur on there way up in the art world? 
Just get out there! Confidence in your work will grow as your develop your style and encouragement from others. Do some market events, join Etsy or ArtFinder, contact galleries. Be professional and have a social media presence. If you're passionate, work hard and not afraid to shout about your work, you can't go wrong! Good luck. x


Big thank you to Simon.



Monday, 9 March 2015

Freakonomics Final Piece for Penguin Book Cover Contest.


Tomorrow is final submission day, this is it, been a long journey and can honestly say this isnt what I expected me to produce in the slightest! But, on that note, I am super proud of it and cant wait to send it off for competition. Bring it on! 

 

Screen Printing... Trial and Error!

 So this was our screen printing baptim of fire, so to say! but, after a long journey of trial and error, I now know how to expose my own screen, screen print in many variety of inks and processes! Totally worth the effort and pain along the way! 

 Screen Print Selfie!

 Always tidy what you use!

 Our Auction event flyers

 and lots of them!

 Who doesnt love a screen room selfie!?

I dont even know!? what you doing Martin!?

Interview with John Powell-Jones



My first blog interview is with none other than John Powell Jones, Screen printing teaching extraordinaire!

Firstly, could you give a few words about yourself and your artistic background/printed by mono/teaching work..
I’ve been working as a freelance artist/illustrator/printmaker for the passed 6 years.
Having produced illustration for bands for a number of years I did a weekend course in screen printing to be able to make more of a viable business out of my practice. So I could offer print and design.

What was your biggest inspiration to start up your own business and studio?
My biggest inspiration to set up my own practice came from people like Seymour Chwast and Art Spiegelman, they didn’t wait for the perfect client to come along and offer them the perfect job, they created what they wanted to do.

Who has been your biggest artistic inspiration throughout your personal work?
Personal inspiration changes often,  
The people that are having a creative impact on me currently: Jonathan Routh, George Condo, Philip Guston, Philip Glass, Shackleton, Keith Harring.
A constant source of inspiration: Dylan Carlson, Daniel Clowes, Matisse, Charles Burns, Chris Ware, Richard D James, Robert Crumb, Corita Kent, John Carpenter, Miro, GNOD.

What made you decide to go into teaching?
I was approached a few years ago by the head of Illustration at Salford to come and do a talk on my practice and a couple of days of tutorials, this turned into a semi regular position. I now teach on the Illustration and Graphic Design degree at Salford and Illustration at Stockport. It’s something I really enjoy and has become an integral part of my practice.

Do you have any artistic regrets or anything you would change/do different given the opportunity?
I don’t think I have any artistic regrets, there’s been jobs I haven’t enjoyed working on and wouldn’t do again but it all comes down to experience, sometimes you need to work on something you don’t enjoy so you know to say no next time.

Do you live by any Artistic rules? Style over Substance? Quality over Quantity? or just free Reign?
I’d say try and follow the rules of Sister Corita Kent 

What does the future hold for you and Printed by Mono?
It’s hard to say what the future holds, hopefully doing the same that we’re all doing now but in a bigger studio!

And finally, what piece of advice would you give to any up and coming artist/entrepreneur?
My advice would be keep making, always!


Big thank you to John and www.printedbymono.co.uk. Go check it out if you havnt already!

Tuesday, 3 March 2015

Art Exhibition and Auction for Parkinsons Equip - 12th March 2015

COME TO THIS.



Adam Graff - Tuesday Club Lecture - 3rd March 2015

Great Lecture, Great guy! before todays lecture even began, Adam took the time to come round to our class and chat to us individually about what we are all currentl working on and to give his advice, which was very appreciated.

 
As for the lecture itself, as Adam was an illustrator himself this felt like one for us, and as much great artwork and process as he had to show, for me this really felt worth it for his tips and advice alone.

-Publish yourself
-Enter competitions
-Contact local Authority for work
-Dont part with copyright unless for a lot of money!
-Be interested/ Be nosey
-Draw what you love, you will be commisioned based on what is in your portfolio
-Remember... you have a voice
-Exhibitions, always be working
-Make connections everywhere
-Always bring joy to your practice



If you do get the chance do visit his page at www.adamgraff.com
It may not be traditional or even conventional art at its finest but it all tells a fantasic journey, Adam is a great talker and a funny guy
Todays lecture gets 9/10